Showing posts with label project. Show all posts
Showing posts with label project. Show all posts

Sunday, March 23, 2014

Friday's Field Trip

March's Friday Field Trip was to JoAnn's Fabric and Crafts in Edina's YorkTown Mall. I was the only one to show up, but that's cool because part of the reason I'm doing the field trips is to force myself to get out of the house more often.

Here's my lesson sheet if you want to copy it. Fair warning, when I copy and pasted it into my blog, the formatting got all ferkachte. Meh. Echt.


JoAnn Fabric and Craft Field Trip
February 22, 2014
Sewnday Morning Musings – Toots Hodgdon




  • v How do I find a pattern? - Finding patterns is pretty easy. It's a bit like going to the library and using the old Dewey Decimal System. Only not that organized. By that I mean, in the DDS books are given a number based on subject or author, patterns are given a number, but I'll be dipped if I can figure out a system. 
  •   First, know what you're looking for. You can waste many an afternoon in the pattern books, so it's best to have a plan of attack before you head out. All of the patterns books are arranged pretty much the same.

  •     Beyond that, here are some other things to consider when pattern shopping:
  •   §  Ability - all patterns will tell you their level of difficulty, usually broken down into Easy, Intermediate, Advanced and the occasional Professional. Only you know your level of expertise, so choose wisely.
  •   §  Sizes - be sure you have accurate measurements of the person for whom you are sewing. I cannot stress this enough. Some patterns will include multiple sizes in one envelope. This rocks, you just have to make sure you have the right size range. It doesn't rock if your person is between sizes of two different envelopes. Go with the larger size. 'Tis always easier to take in than let out. Always. Don't forget that these pattern sizes are not going to correlate to your ready-to-wear sizes. Think of prom or bridal sizes. They're made to measure. Ready-to-wear sizes will fit a small range of measurements. Be prepared for your pattern size to be at least 2 numbers larger than what you get at Target or wherever. Beware of vintage patterns. The sizes are different. Always go by the measurements.
  • The flap is where you'll often find a measurement guide, also in metric for the rest of the world.
  §  How to read the envelope -

From top:
Fabric suggestions - yep, the companies have designed these things with specific fabrics in mind. Not that you couldn't try it with something different, but in the design of the garment, weight, drape and stretch have been considered. It's best not to deviate too far from these suggestions.
This next area shows how much fabric you need to buy for your project depending on the style (view) you're making and your size. I typically round up to the nearest half yard. You know, just in case.
Lining - Make sure you get some lining if your pattern calls for it. I personally prefer a light cotton or silk lining for just about everything. Synthetics (even the so-called cling-free kind) generate more static than natural fibers. There are some polyester linings that are called cling free - these won't cling to other fabrics but may stick to you. Hang free linings won't stick to you, but may stick to other fabrics.
Contrast fabrics - don't forget to get your contrasting fabric or overlays if your pattern requires.
Notions - Don't know why they're called notions other than it's a pretty good notion to have them to complete your project. These are things like zippers, elastics, buttons, of course thread. Be sure to use the recommended sizes and types for zippers and buttons. A longer zipper may be used, but it's not always easy to work with.


From top:
 It’s how much?! - Yeah, patterns can be spendy. I personally belong to the BMV.com (Butterick/McCall's/Vogue) club and purchase most of my patterns when they're having a sale. Fabric stores will often have sale on patterns, too. Never pay full price for a pattern unless you have an emergency prom dress to make or something like that. I've also found patterns at thrift stores for less than a dollar. Sometimes you get stuck with only a portion of the pattern, but often they've never even been used. 
Ability level
The DDS code - this is how you will find your pattern in the drawers.
Project descriptions by view.
Size combinations of what is in the envelope. Make sure you've got the right one.
  •   §  What if I need more than one size? - If you need to make more than one size of the same thing, the easiest thing to do (rather than getting separate patterns - $$$) is to purchase some inexpensive muslin or gridded interfacing. Trace the patterns onto that for each one you need. Believe me, it's more cost effective than buying a bunch of patterns and cutting each size separately.


  •    How to read Fabric Bolt Labels

  •   §  Size - most fabrics come in one of two widths, 45" and 60" for fashion fabric. Nearly all home decorator fabric is 60". Though you may or may not actually get that full width. The narrower fabrics may be anywhere from 40" to 45" and the wider fabrics can actually be anywhere from 54" to 60" wide for example, the above bolt label shows 057 IN (57") for the width. If you have your doubts, measure the width before you purchase. Few things are as sad as finding a fabulous fabric, getting the amount required and discovering you could really use an additional 1/8 or even 1/4 of your fabric. Also, if it's a print, measure the print area. The print may not run selvedge to selvedge (edge to edge). I've seen prints which leave up to a total of 5 inches unprinted. That's rare, but it can happen.
  •   §  Content - Your bolt end label will tell you what the fiber content is for the fabric.  Well, it should. I've seen bolt labels which read, for example: 70% polyester, 30% unknown. That's always fun. The unknown fiber will probably be another kind of synthetic if the main fiber is and most likely will be another natural fiber if the main one is. Not always the case, to be sure, but often. You can always do a burn test to figure out what fibers you've got, if you're so inclined. The above is 100% polyester. 
  •   §  Cleaning method - This is important! No, really! Think about how you care for the clothes you've already got. Are you very particular about how they're washed? Does it bother you to have to go to the dry cleaner? The bolt label will tell you how your fabric should be cared for. If it does not, but you see an alpha-numeric code (such as "D2") on the label, you can ask your person at the cutting table to look up the code for you. They should have a reference book somewhere back there that will crack the code and tell you how to wash your fabric. Don't let them tell you they don't have such a thing. They do. Oh, yes. They do.
  •    §  Handy clues - Bolts of fabric are wound with anywhere from 10 to 15 yards per bolt. Sometimes someone will have handwritten on the end "9.5" or "9 1/2" which means the original bolt had that amount wound on it. This is often the end piece and the quality may not be consistent. Check for printing alignment. The above bolt was wound with 8 yards and it's listed on the left side. Being that it's printed and not handwritten, you shouldn't have to worry about the print.
    •     Occasionally you may find a brightly colored blank sticker on the end. This means that there are more than one piece wrapped on the bolt. This may mean there's a seam going across it somewhere or that there are separate pieces on the bolt. Sometimes employees will consolidate bolts and will write on the end that there's more than one piece.
    •   You can guesstimate how much fabric is left on the bolt board (not a tube, mind, the flat cardboards) by counting the number of layers on the fold are on one side of the board. Every two layers is approximately one yard. This can come in handy when there doesn't look like enough on the bolt.


  •    Which thread is the right thread for my project?
  •   §  Seam/construction thread - Cotton or poly/cotton all-purpose. Use the 100% cotton for 100% natural fibers and the blend for synthetics and blends. This will prevent any weird shrinkage issues. 
  •   §  Quilting thread
    • ¨     Hand  - a bit heavier, since you won't have the double thread over and under your quilt layers.
    • ¨     Machine - typically very much like 100% cotton all-purpose (I've used all-purpose for quilting in a pinch) 
  •   §  Machine Embroidery thread - usually rayon. You do not want to use this for construction sewing. It's not made for that and your seams will not be sturdy. It's made to be pretty.
  •   §  Serger thread - Comes on cones. You can find it in either 100% cotton or in a blend to suit your needs. Most of the time you're serging knit fabrics and a lot of those are blends anymore.
  •   §  Specialty threads - Button thread - stronger and thicker than regular thread and should be used for buttons that get heavy duty use, like on a winter coat.
    •     Denim thread - is made for heavier fabrics, ie denim, duck or canvas. It doesn't come in as many colors as your all-purpose variety.
    •     Upholstery thread - this stuff is very heavy and made for  - you guessed it - upholstering furniture. You can also use it for buttons on cushions which get a lot of wear and tear.

  •         Tools, tools, tools!
  •    §  I need a wha’? - There are so many tools out these days to help make the sewing process easier and faster. I'll probably end up doing a piece just on tools alone. You don't need them all.
  •   §  Machines
    • ¨     Sewing - know what you plan on sewing. Don't get more machine than you need.
    • ¨     Serging - I love my serger, I really do. It's awesome for working with knits. I just wish they'd find a way to make them easier to thread and clean. 
    • ¨     Specialty - these can be anything from embroidery machines to long arm quilters.
  •   §  Cut the stuff
    • ¨     Blades and self-healing mats - I don't know how quilters did it before Olfa and the other blade brands came out with rotary blades and self-healing mats. Well, I do actually, and it sucked. No lie. I don't envy anyone who made quilts before these miracles came out.
    • ¨     Pinker - this is the one with the ziggy-zaggy blades. They're excellent for cutting fabrics that fray easily.
    • ¨     Shears - your basic cutters. I like spring-loaded ones.
    • ¨     Small scissors - I have a couple pairs of small scissors, including kid's blunt point for plane rides and one for tiny detail cutting.
  •    §  Needles - You can get universal needles for both hand sewing and machine sewing. Having a set of each is great for any sewing you might need to do, at least for a start.
  •    §  Feet - For your sewing machine. The piece that comes down and helps to hold your fabric as it's fed through the machine is called a foot. Beyond your basic foot that came with your machine, you should have a zipper foot and a blind hem foot is a nice thing to have. Often the zipper foot comes with your machine. A button hole foot can be helpful, too. It helps you to make buttons holes in uniform sizes.
  •    §  Marking tools - I have a blue pencil and a white pencil that can be washed out. I've found that's all I need. I used to have sheets of colored wax paper and the little pizza cutter-like tracing tool, but I've found that having the two pencils is just as effective and takes up less room. Tailor's chalk is handy for, well, tailoring and making larger marks.
  •    §  Measuring tools - I have about a hundred cloth measuring tapes. Not really, but it seems like it. I have on upstairs, one by my ironing board, one in my travel kit, one by my machine... I have a few templates for cutting shapes for quilts, too, but you can go really crazy with those things. You can get a template for every shape you can imagine. Just go to the quilting department of your local sewing shop and you'll see what I mean. I've found that I really only need a couple of rulers and I do like my hexagons and easy Dresden templates.

  •     What are remnants  and fat quarters, and what can I make with them? 
      •   Remnants are pieces of fabric one yard or less. Usually they are offered at a discount.
      •   Fat Quarters are pieces that equal a quarter yard but are 20" x 18" instead of 9" x 40". They are almost always 100% cotton and are typically found in the quilter's department.  
  •   §  Gifts - rems and FQs are just the right size for making small gifts, bags, pillows, potholders, water and wine bottle covers, soft body dolls. The possibilities are limited only by your imagination.
  • Add caption
  •   §  Repairs - they are also great to have on hand for repairs. Rather than paying the price for a hunk off the bolt, check the remnant bin for a suitable fabric to patch a garment. I also prefer this to pre-made iron-on patches. By the way, the smallest amount that sellers can cut for purchase is 1/8 yard or 4.5 inches. Depending on the fabric, you may find a rem for less than you would pay for that 1/8 yard.
I hope this helps you get ready for your next trip to the fabric store.








Sunday, March 9, 2014

The beat goes on...

Did you ever find a new path and have it feel so right that you start tap dancing in the kitchen?

I've been struggling with my career path for over 20 years. In my 20s, I was so convinced that I would be a Broadway star that I quit school, left my husband, sold my car and moved to New York City. I will never regret the move, but it (obviously) didn't have the outcome I expected.

I've never finished school, which has been a bugaboo for me for years. I've been to graduation ceremonies for my sister's kids and I always felt bummed out afterwards. I already struggle with my feelings of being a failure and that exacerbates it. Not that I'm not proud of my nieces and nephew. I couldn't be prouder. They're all very successful in their respective fields and are wonderful people to boot.

I thought about going back to finish my Bachelor's, but that would require retaking a bunch of classes in order to have enough local credits to graduate. I thought about changing up my degree and going after Fashion Design. I loved (and aced) the one class I took, but the time and coin required to do a full degree on a part-time basis was daunting. Also, there was no real guarantee that I'd end up as a designer. The competition is fierce and I'm twice as old as most of my classmates were.

My husband is set to retire within a few short years. Our household is going to go through a shift soon and it's going to require my picking up the financial slack. It has become increasingly clear that my dramatic and artistic pursuits aren't going to be reliable sources of income. On one hand this breaks my heart, because I enjoy entertaining and creating. I do realize that my style may not have a mainstream audience. I've made peace with that. I've also made peace with the fact that, no matter how talented I am, I may not be what the director is looking for. I'm kind of a niche girl. With a very narrow niche.

What's a girl to do? I don't want to work as a check out girl, even at Target or a craft store because I'll spend more than I make. I had that problem when I worked at Hancock's. That's part of the reason why I have such a large fabric stash. No lie. Employee discounts are a dangerous thing around me.

Well, Let me tell ya a li'l story: When I had my nervous breakdown, part of what brought it on was that I was trying to work in a creative job as costume builder. I was going to use the money I earned to start my design business, Tequila Diamonds. When that fell waaay through, blammo! I had a nervous breakdown. What I needed was a trade.

Now, the notion of massage therapy has been ruminating since high school when we gave each other backrubs in acting class. I was just more focused on the acting. The idea has come and gone over the years. Apparently I’m pretty good at giving massages as many friends have suggested that I do it for a living. It recently came to the fore when my mom gave me a salon gift certificate for the express purpose of getting a massage and the salon didn’t have a therapist on the payroll when I called for the appointment. I thought, “I could do that. I should do that.”

I found a local massage therapy school that not only trains you to work at a spa or salon, but also more clinical aspects of transformative healing. They not only teach Eastern forms, but Western as well, which is more of what I'm interested in, but I can get a broader selection of tools to use and be more prepared for the job market as a result. The best part? They only teach massage therapies. I won't have to take anything not related to being the best therapist I can be. Their application process is rigorous. They aren't just looking for the most students (and their money) like some schools I could mention but won't, they're looking for the right students. I have a couple more steps to get in the door, but so far, things are looking up.

I'm not going to do any acting during this 20 month period of studying, except maybe some short, special appearance gigs. I'm still going to work on my art projects in my free time. There are times when I simply must create. I'm going to continue blogging and field tripping.

But I have to say, as I was researching schools for this path, the site for CenterPoint stood out to me. Everything was up front and honest. When I called, I received a return call within minutes and the follow up was incredibly professional and thorough. I also discovered that there was quite a spectrum of opportunities beyond the salon. In addition, I think I'll receive a host of therapeutic benefits from doing something that really interests me and helps others.

Did I finally find that elusive career? I feel I have. I've been tap dancing in the kitchen for the last few days.

So, Flowerpots, did you find your path yet? Did you settle for your career or did you settle into it? I'll just leave that here for you to ruminate upon...
 

Sunday, February 9, 2014

Mission Accomplished: Part 1!

A couple of posts ago I mentioned that I was going to go through all of my UFOs and try to get them done. Well, I finished one today! Huzzah! I made a pair of pajama pants. Several years ago I worked at a local Hancock Fabrics and I bought some really cute Hallowe'en flannel with little witch kitties on it. I had it sitting with its pattern and grosgrain ribbon for the drawstring for, Oh, let's go with 4 years. No. Really. FOUR YEARS.
I realized as I was laying out the pattern that I probably needed a half yard more for full-length pants, and since I didn't want flannel shorts, I decided to make them cropped pants. Clam-digger style. I'm wearing them to bed tonight. Yes, yes, I am. I know it's January. I'm still gonna wear them.

Cute Witchy-Poo Kitties with cats-eye glasses and, though it's hard to tell here, skull tags on their collars.
I'm so excited to wear these, you have know idea. It's like I've finally gotten a pony for Christmas.

I also made a skirt out of a pretty woven plaid I picked up last summer. I lined it with fabric left over from a costume I made when I lived in New York City in the 90s - fuchsia satin! I don't have a pic of the skirt yet, because I still have to put in the zip, but I'm going to take that to Sewtropolis and see if someone there can give me a hand with it. Plus I used thread from a different project that happened to go with it, and I ran out. Of course I did. But I saved the spool so I can take it along for matching.
I had enough scraps of the plaid to have a little fun. I've wanted to make little stuffed animals for a while, especially orangutans (I'm a huge orang fan). So I took a sheet of card stock (left over from a calendar packaging instert) and traced out a pattern. I also have a bunch of cotton circles cut out from when I made a Dresden Plate quilt a couple of Summers ago. I used one of those for the face and used fabric pens to color the face on. That way there aren't any buttons to come off.


I'm not entirely happy with it, but I don't hate it, either. I know how/where I'm going to change up the pattern but I figured, as long as I had some extra supplies, it wasn't going to cost anything to try.
I have this sort of fantasy where I'm making a bunch of these (or similar) for the baby orangutans in the nursery at Orangutan Outreach. I know they give stuffed animals to the babies and I hope they would like them, especially since they're typically orphaned and alone. I think it would be wonderful if there was a baby orang who wanted to hang on to one of my stuffies. Nothing would please me more! I'm currently looking for someone who might be able to help me with this dream project, so let me know if you're interested. 
So there are three, count 'em, three of my UFOs completed! I have no idea what project I'll tackle next, so stay tuned...

Assignment: Have you been going through *your* UFOs? No? I'm beating you? You aren't going to let li'l ol' me get my projects done first, are you?

Friday, February 7, 2014

February Field Trip Scheduled

Our February 21st Field trip Friday is going to be to the JoAnn Fabric and Craft store in Edina. It's in the Yorktown Mall at 3411 Hazelton (between York and France Avenues).
I'm working on a syllabus of sorts, but some of the topics I plan on covering are as follows:

Finding the right pattern for you
How to read those bolt labels
Which thread is right for your project?
Handy Tools! What do I really need?
What the heck can I make with a remnant?

We'll meet at JoAnn's at 10 am just inside the entry. Plan on being there about an hour. I can manage 5 or 6 "students" to keep things within the time frame. I'll be there regardless, but please email me at totallytoots10@gmail.com if you're interested in joining me and if you have any topics you'd like me to address. I have bright auburn hair and fuchsia/red glasses, you can't miss me.
Bring a way to take notes and any questions you may have. If you're working on a project and you're stuck, I'll be more than happy to see if I can help you with it, so bring that along.